América Latina Magazine
All Editorial
Sugar Island: A Film that Lays Bare the Colonial Legacies between Haiti and the Dominican Republic
Representing the Desires of the Community in the Work of Jeff Cán Xicay
The Bahamas Pavilion returns to the 61st Venice Biennale after a thirteen year hiatus
Manuel Tzoc: Art as Embodied and Relational Poetry
Peruvian artist Antonio Paucar wins 11th edition of Artes Mundi Prize
Daniela Ortiz: Art as a Practice of International Solidarity
Three Artists Redefining the Human-Plant Relationship in Martinique and Guadeloupe
Histories of Ecology
C&AL’s Highlights of 2025 You Might Have Missed
2025 in Review
Yina Jiménez Suriel and Raphael Fonseca are the artistic directors for Iceland’s Sequences Biennial
MAM São Paulo announces Diane Lima as Curator of the 39th Panorama of Brazilian Art
In her performance, Malu Avelar, an artist from the Brazilian state of Minas Gerais, blurs the boundaries between the body and matter. Voices emerge like earthly forces, summoning presence, fear, and desire. This text fabulates on Malu’s work to reflect on health, monstrosity, and superhuman ways of existing.
MACAS amplía su colección de arte afropuertorriqueño
The Artists Forging Ecological Ties in Female Fugivity and Marronage
Caribbean Sounds: The Connective Possibilities of Radio
Confronting the Absence of Latin America in Conversations on African Diasporic Art
Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism
Third Horizon curates a new Cinelogue program exploring decolonial cinema and liberatory imagination from the Caribbean
The Order of New Arts opens a new cultural space in the United States
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Comigo ninguém pode will be the exhibition that represents Brazil at the Biennale Arte 2026
Tadáskía Wins the 2025 K21 Global Art Award
Introducing the C& Cyclopedia
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Inspired by the writer Conceição Evaristo, the installation by the Brazilian collective Irmandade Vilanismo forges a symbolic pact for life. Made up of ten Black artists from peripheral neighborhoods, the group occupies the space transforming it into both a working studio and a manifesto for dignity, land, and against racist expectations.
Esperanza de León: Curating Through Community Knowledge
2nd Bienal das Amazônias
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Librería Ireti, Havana, Cuba
Eva de Souza: Textile Experimentation as Poetic Protest
A k u z u r u: Art, Post-humanism and Healing
Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market
Denis Maksaens: Glitch and Representation in the Caribbean
I Am Monumental: The Power of African Roots
Flooded Memories
The Entanglement of Migration, Indigenous Peoples, and Colonialism
Roots: Beginning, Middle, and Beginning
With a title derived from the poem “Da calma e do silêncio” by Conceição Evaristo, the 36th Bienal de São Paulo brings together 120 participants at the Bienal Pavilion and five more at Casa do Povo, proposing an urgent reflection on humanity, nature, and listening.
The Spiritual Technologies of Jamaican Maroons
Electric Dub Station: The Return of Tomorrow
Flowing Affections: Laryssa Machada’s Sensitive Geographies
Jesús Hilário-Reyes: Dissolving Notions of Group and Individual
Andrea Chung: Dematerialization to Subvert Commodification
Veronica Ryan: Unruly Objects
The Forgotten Asian Histories of Latin America
Raíces y renacimiento: Mujeres Dominicanas en el Arte
Duality as an Invitation to Multiplicity
Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso
What’s Behind Decolonial Movements in Brazil?
MASP inaugura novo edifício
Transforming a public staircase into an open-air art museum, MASF is more than just a collection of artifacts. The museum is the realization of a collective dream of fostering important personalities engaged in the local art scene, combining cultural practices with knowledge, poetry and leisure, where resistance leads to urban preservation.
LGBTQIA+ Diversity Stories
Biophillick: Connecting Ancestries Through Technology
Atlantic Threads
The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin
Ana Pi: Knowledge Does Not Disappear
Celebration and Resistance in Ventura Profana’s Films
MUNCAB inaugura novo espaço dedicado à arte afro-brasileira
It Comes from the Head: A Straw Heritage
C& x NAM Critical Writing Workshop, New Orleans
Imagining perversely with Madeline Jiménez Santil’s Art
HOA Gallery is redesigned as a non-profit initiative
A Call to History
From the first indigenous Brazilian Pavilion in Venice to the liberation of carnival in the Caribbean, these are some of our most read articles of last year.
An Afro-Indigenous Reawakening: The Year in Review
Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines
Caribbean Musicality in the Work of Valerie Brathwaite
![The World Tree [El árbol del mundo]](https://cdn.sanity.io/images/t4cb1ejj/production/f07d94db028ff79708848295f1d20765c4e53ab1-780x382.png?q=90&auto=format&dpr=2&fit=max&w=3840)
The World Tree [El árbol del mundo]
A Biennial that relates sound to space and bodies
Bring Home your C& Collectors Box!
38º Panorama da Arte Brasileira: Mil graus
Tessa Mars Links the Migratory Experience to Haitian Spirituality
Mercosul Biennial announces artists and spaces for its next edition
Puerto Caribe
The Art of Translating and Vice Versa
Navigating Scarcity, Race and Religion in Cuban Photography
A segunda edição da Bienal das Amazônias está programada para o segundo semestre de 2025 e coincidirá com a 30ª Conferência das Partes da Organização das Nações Unidas (COP 30), que tem a expectativa de reunir em torno de 100 mil pessoas de 197 países, na cidade de Belém, em novembro de 2025.
Not All Travellers Walk Roads – Of Humanity as Practice
Anaïs Cheleux: Connecting Caribbean Identity Through Photography and Performance
Orgullo Nacional
Remaking Afro-Indigenous Archives with Julianny Ariza Vólquez
Afro-Indigenous Memory in the Work of Maria Lira Marques
THE SOUL STATION
Announcement of Second Women Photographers International Archive (WOPHA) Congress
C& Artists’ Edition #5 Zohra Opoku
Amanda Carneiro: Curation That Operates Outside Dominant Systems
MUNCH Award: Rosana Paulino
Poetry: Ruth Ige
