América Latina Magazine
All Editorial

The Indigenous Sci-fi Love Story about the Climate Crisis and the Power of Language: Itu Ninu

Fundação Bienal de São Paulo announces the curatorial team for its 37th edition

61st Venice Biennale: National Pavilions

61st Venice Biennale: Arsenale and Giardini

Iahra: Addressing Marine Ecology Through Industrial Materialities

The Convergence of African and Indian Lives in Kelly Sinnapah Mary’s Paintings

Oscar Murillo: Collective Osmosis

Transforming Memories of State Violence through Poetic Justice

Seed Archives: Celebrating African and Caribbean Design and Culture in London

Frestas – Art Triennial

Sugar Island: A Film that Lays Bare the Colonial Legacies between Haiti and the Dominican Republic

Representing the Desires of the Community in the Work of Jeff Cán Xicay

Resonating with the Biennale’s theme, In Minor Keys, envisioned by the late Koyo Kouoh, The Bahamas Pavilion presents In Another Man’s Yard: John Beadle, Lavar Munroe, and the Spirit of (Posthumous) Collaboration, curated by Krista Thompson. The Pavilion stages an intergenerational dialogue grounded in the traditional festival Junkanoo, material transformation, and the power of collective artistic practice.

Manuel Tzoc: Art as Embodied and Relational Poetry

Peruvian artist Antonio Paucar wins 11th edition of Artes Mundi Prize

Daniela Ortiz: Art as a Practice of International Solidarity

Three Artists Redefining the Human-Plant Relationship in Martinique and Guadeloupe

Histories of Ecology

C&AL’s Highlights of 2025 You Might Have Missed

2025 in Review

Yina Jiménez Suriel and Raphael Fonseca are the artistic directors for Iceland’s Sequences Biennial

MAM São Paulo announces Diane Lima as Curator of the 39th Panorama of Brazilian Art

Bodies in a state of eruption: the performance and metamorphosis of Malu Avelar

MACAS amplía su colección de arte afropuertorriqueño

The Artists Forging Ecological Ties in Female Fugivity and Marronage

Confronting the Absence of Latin America in Conversations on African Diasporic Art

Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism

Third Horizon curates a new Cinelogue program exploring decolonial cinema and liberatory imagination from the Caribbean

The Order of New Arts opens a new cultural space in the United States

Paris Noir: Pan-African Surrealism, Abstraction and Figuration

Comigo ninguém pode will be the exhibition that represents Brazil at the Biennale Arte 2026

Tadáskía Wins the 2025 K21 Global Art Award

Introducing the C& Cyclopedia

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II

Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal

Esperanza de León: Curating Through Community Knowledge

2nd Bienal das Amazônias

Librería Ireti, Havana, Cuba

Eva de Souza: Textile Experimentation as Poetic Protest

A k u z u r u: Art, Post-humanism and Healing

Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market

Denis Maksaens: Glitch and Representation in the Caribbean

I Am Monumental: The Power of African Roots

Flooded Memories

The Entanglement of Migration, Indigenous Peoples, and Colonialism

Roots: Beginning, Middle, and Beginning

Fundação Bienal de São Paulo announces list of participants for its 36th edition

The Spiritual Technologies of Jamaican Maroons

Electric Dub Station: The Return of Tomorrow

Jesús Hilário-Reyes: Dissolving Notions of Group and Individual

Andrea Chung: Dematerialization to Subvert Commodification

Veronica Ryan: Unruly Objects

The Forgotten Asian Histories of Latin America

Raíces y renacimiento: Mujeres Dominicanas en el Arte

Duality as an Invitation to Multiplicity

Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso

What’s Behind Decolonial Movements in Brazil?

MASP inaugura novo edifício

MASF: An Art Museum that Connects Territory and Communities

LGBTQIA+ Diversity Stories

Biophillick: Connecting Ancestries Through Technology

This residency programme focuses on Afro-diasporic heritage, post-colonial dynamics, and transatlantic exchanges by bringing together artists: Gabriela de Matos (Brazil), Tiganá Santana (Brazil), Anne-Lise Agossa (Côte d'Ivoire), and Olufèmi Hinson Yovo (Benin), under the curatorial guidance of Cindy Sissokho (France).

The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin

Ana Pi: Knowledge Does Not Disappear

Celebration and Resistance in Ventura Profana’s Films

MUNCAB inaugura novo espaço dedicado à arte afro-brasileira

It Comes from the Head: A Straw Heritage

C& x NAM Critical Writing Workshop, New Orleans

Imagining perversely with Madeline Jiménez Santil’s Art

HOA Gallery is redesigned as a non-profit initiative

A Call to History

C&AL’s Highlights of 2024 You Might Have Missed

An Afro-Indigenous Reawakening: The Year in Review

Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines

Influenced by the music and natural landscape of her childhood in San Fernando, the Caracas-based artist developed a unique, flowing sculptural style. Her work reflects the connection between landscapes and the shared memory of Trinidad and Venezuela, exploring organic forms and diverse materials in a process that resonates with the environment.
![The World Tree [El árbol del mundo]](https://cdn.sanity.io/images/t4cb1ejj/production/f07d94db028ff79708848295f1d20765c4e53ab1-780x382.png?q=80&auto=format&fit=max&w=2560)
The World Tree [El árbol del mundo]

A Biennial that relates sound to space and bodies

Bring Home your C& Collectors Box!

38º Panorama da Arte Brasileira: Mil graus

Tessa Mars Links the Migratory Experience to Haitian Spirituality

Mercosul Biennial announces artists and spaces for its next edition

Puerto Caribe

The Art of Translating and Vice Versa

Navigating Scarcity, Race and Religion in Cuban Photography

Bienal das Amazônias anuncia curadora de sua segunda edição

Not All Travellers Walk Roads – Of Humanity as Practice

Anaïs Cheleux: Connecting Caribbean Identity Through Photography and Performance

Remaking Afro-Indigenous Archives with Julianny Ariza Vólquez

Afro-Indigenous Memory in the Work of Maria Lira Marques

THE SOUL STATION
Announcement of Second Women Photographers International Archive (WOPHA) Congress

C& Artists’ Edition #5 Zohra Opoku

Amanda Carneiro: Curation That Operates Outside Dominant Systems

MUNCH Award: Rosana Paulino

Poetry: Ruth Ige




