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The 36th São Paulo Biennial
Elolo Bosoka: What he saw sees when he went goes strolling
Bernice Mulenga’s LMK WHEN U REACH
Noah Davis
Alick Phiri and William Matlala: I’ll Be Your Mirror
OFF Biennale Dakar 2024
AMANI kukita | kung’oa - German and Tanzanian Perspectives on a Colonial Collection
60th Venice Biennale: National Pavilions of Zimbabwe, Nigeria and Côte d’Ivoire
The Anarchist Citizenship – People Made of Stories
60th Venice Biennale: National Pavilions of Benin, South Africa, Senegal and Ethiopia
La Biennale de l’Art Africain Contemporain Dak’Art 2024
60th Venice Biennale: National Pavilions of Canada, France, USA, UK and Hãhãwpuá (Brazil)
The 36th São Paulo Biennial
Elolo Bosoka: What he saw sees when he went goes strolling
Bernice Mulenga’s LMK WHEN U REACH
Noah Davis
Alick Phiri and William Matlala: I’ll Be Your Mirror
OFF Biennale Dakar 2024
AMANI kukita | kung’oa - German and Tanzanian Perspectives on a Colonial Collection
60th Venice Biennale: National Pavilions of Zimbabwe, Nigeria and Côte d’Ivoire
The Anarchist Citizenship – People Made of Stories
60th Venice Biennale: National Pavilions of Benin, South Africa, Senegal and Ethiopia
La Biennale de l’Art Africain Contemporain Dak’Art 2024
60th Venice Biennale: National Pavilions of Canada, France, USA, UK and Hãhãwpuá (Brazil)
Through performance, sonic explorations and film, artist Tristany Mundu brings us into conversation with his city through works such as "the acliclas" (2020) and "City around the City" (2025).
Extending an ongoing conversation around the evolution of image practices in Africa, writer Kim M. Reynolds dives into Amy Sall’s "The African Gaze: Photography, Cinema and Power", and the wider historical context and infrastructure of African image-making practices.
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Take a look into libraries and book collections holding some of the rarer and often forgotten publications, which are nonetheless essential to the discourse on both sides of the spectrum.